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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Portrait 55

Summer 2016-2017
Magazine

Explore convict art, photography by Ruth Hollick and Collier Schorr, an interview with neurosurgeon Charlie Teo, portraiture on money, and more!

Mrs NR Mackintosh (Anne) by Ruth Hollick

Natural, artistic and unselfconscious

Magazine article by Angus Trumble, 2016

Angus Trumble gazes at the once bright star of photographer Ruth Hollick.

Lindy Lee

The long game

Magazine article by Penelope Grist, 2020

Penelope Grist spends some quality time with the Portrait Gallery’s summer collection exhibition, Eye to Eye.

Betty Cuthbert

Hop, skip, shoot

Magazine article by Simon Elliott, 2004

Former NPG Deputy Director, Simon Elliott talks with Ern McQuillan about his life and career as a sports photographer.

Steve Irwin

Crikey!

Magazine article by Dr Sarah Engledow, 2006

Robin Sellick captured a rare moment of quietude from the late conservation star Steve Irwin.

Ma Khin Mar Mar Kyi

My Favourite Australian

Magazine article by Christine Clark, 2009

The Australian public was invited in 2008 to vote for their favourite Australian.  After the votes were tallied an exhibition of the top-ten Popular Australians and the top-twenty unsung heroes was displayed at the National Portrait Gallery.

After Dante’s Inferno, 2018 Sarah Rhodes © the artist

Observation point

Magazine article by Sarah Rhodes, 2019

I met Clara while teaching photomedia at the University of Tasmania last year. One of her assignments focused on her relationship with her former boyfriend, who she now works for as his live-in carer.

Martin Sharp

Oz and beyond

Magazine article by Diana Warnes, 2007

Martin Sharp fulfils the Pop art idiom of merging art and life.

Untitled #474, 2008

Grande dames

Magazine article by Eva Respini, 2013

Eva Respini focuses on the ‘society portraits’ in MOMA’s Cindy Sherman retrospective.

[Self-portrait], 1996

Reveries

Magazine article by Helen Ennis, 2007

The exhibition Reveries: Photography and mortality is a powerful display which brings together images that depict the last phase of people's lives.

Jaynie Anderson

Sitter still

Magazine article by Emeritus Professor Jaynie Anderson AM, 2015

Jaynie Anderson reflects on her experience as sitter for Reshid Bey’s 1962 portrait.

Malcolm Fraser

Country man

Magazine article by Angus Trumble, 2015

Angus Trumble’s tribute to the late Right Honourable Malcolm Fraser.

Megan Gale

Glamour vs grunge

Magazine article by Dr Christopher Chapman, 2010

Christopher Chapman examines the battle of glamour vs. grunge which played out in the fashion and advertising of the 1990s.

Australian Dance Party and Catapult Dance performing Connecting Stories: Innovations at the National Portrait Gallery, 2022 Lorna Sim

Let’s dance

Magazine article by Emma Batchelor, 2022

Emma Batchelor uncovers the compelling contemporary dance made in response to the works in Shakespeare to Winehouse.

Betty Muffler

Unpacked

Magazine article by Rebecca Ray, 2022

Rebecca Ray reflects on Robert Fielding’s Mayatjara series, honouring songlines and intergenerational knowedge.

Personal Hygiene, 2007

Shifting pixels

Magazine article by Gillian Raymond, 2007

In 2007 the National Portrait Gallery produced its first online exhibition featuring the animated self portraits created by some of Australia’s most innovative visual artists and animators.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency